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Later, a cobalt blue glaze became popular in Islamic pottery during the Abbasid Caliphate, during which time the cobalt was mined near Kashan, Oman, and Northern Hejaz.
In the early 20th century, the development of the classic blue and white Jingdezhen ware porcelain was dated to the early Ming period, but consensus now agrees that these wares began to be made around 1300-1320, and were fully developed by the mid-century, as shown by the David Vases dated 1351, which are cornerstones for this chronology.
In Japan, Chinese potter refugees were able to introduce refined porcelain techniques and enamel glazes to the Arita kilns.
From 1658, the Dutch East India Company looked to Japan for blue-and-white porcelain to sell in Europe.
due to the influence of Muslim eunuchs serving at his court.
By the end of the century, a large Chinese export porcelain trade with Europe had developed, and the so-called Kraak ware style had developed.
The best, and quickly the main production was in Jingdezhen porcelain from Jiangxi Province.
There was already a considerable tradition of painted Chinese ceramics, mainly represented at that time by the popular stoneware Cizhou ware, but this was not used by the court.
From 1659–1740, the Arita kilns were able to export enormous quantities of porcelain to Europe and Asia.
In the early 14th century, mass-production of fine, translucent, blue and white porcelain started at Jingdezhen, sometimes called the porcelain capital of China.
This development was due to the combination of Chinese techniques and Islamic trade.
For the first time in centuries the new blue and white appealed to the taste of the Mongol rulers of China.
Blue and white ware also began making its appearance in Japan, where it was known as sometsuke.